Friday, March 5, 2010

Day Fifty Nine

Ok, so what happens after the pieces are cast and removed from the investment and cut off their sprues? Its tooling time! Step one, use the roughest disc on the flexshaft to grind off the knobs where the sprues attached to the piece, and remove any other gobs of metal that are out of place. Then, using a series of lighter and lighter grits of polishing wheels, buff that baby up until she shines. Enjoy!

1 comment:

UnknownMarch 6, 2010 at 2:55 AM
You know, I think this documentation of the process might lend to the value of the piece. I have to believe that seeing the lengths you go to in order to create that piece people see in the gallery can only reinforce the legitimacy of the price tag.
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Rilke said...

Do continue to believe that with your feeling and your work you are taking part in the greatest; the more strongly you cultivate in yourself this belief, the more will reality and the world go forth from it.

Works of Art are of an infinite loneliness.

Fame is the sum of the misunderstanding that gathers about a new name.

Nothing in the world can one imagine beforehand, not the least thing. Everything is made up of so many unique particulars that cannot be foreseen.

Everyone once, once only. Just once and no more. And we also once. Never again.

Were it possible for us to see further than our knowledge reaches, perhaps we would endure our sadnesses with greater confidence than our joys. For they are moments when something new has entered into us, something unknown.

That is the principal thing: not to remain with the dream, with the intention, with the being in the mood, but always forcibly to convert it into all things.

Flow (psychology)

From Wikipedia, the free encyclopedia

Flow is the mental state of operation in which the person is fully immersed in what he or she is doing by a feeling of energized focus, full involvement, and success in the process of the activity. Proposed by Mihály Csíkszentmihályi, the positive psychology concept has been widely referenced across a variety of fields.^[1]

According to Csíkszentmihályi, flow is completely focused motivation. It is a single-minded immersion and represents perhaps the ultimate in harnessing the emotions in the service of performing and learning. In flow the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. To be caught in the ennui of depression or the agitation of anxiety is to be barred from flow. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a task.^[2]

Colloquial terms for this or similar mental states include: to be on the ball, in the zone, in the groove, or keeping your head in the game.